Hello readers and welcome to what would have been the final installment of this part of the Reading List. As stated last time, my intent was to finish up with a non-fiction title. However I have since learned that the author was forced to resign in disgrace several years ago due to a sexual assault investigation. In the interest of standing with survivors of sexual assault, I will not be posting about this book.
This is unfortunate but does coincide with my plan to put the Reading List on hiatus for a while (at least a few months, possibly the rest of the year). What began as an initial experiment for this blog turned into a yearly series, and as I wrote in my final “reflections” post, will be ongoing for my career. Few other things have taught me so much about how to write and about my blind spots as an author. This fits in with an overall withdrawal that I will post on next month as I take some needed time away from my writing career.
Thanks to everyone who has read this blog for the past half-decade. The Reading List will return (eventually). jA
Hello readers and welcome to the penultimate installment of this leg of the Reading List. (ICYMI: As I stated in the final “reflections” post, this will be an ongoing series for the rest of my career.) I am continuing the genre detours and am now heading back to a few kinds I haven’t gotten to in a while. First up is Chris Ware’s 2000 graphic novel Jimmy Corrigan: The Smartest Kid on Earth.
First serialized in the Chicago alt-weekly Newcity and his own Acme Novelty Library, Ware’s genre-defining work was collected as a book by Pantheon and went on to win several major awards after publication. I have been reading graphic novels for a long time now but haven’t gotten to many classics of the form until the last few years. I feel I can state Jimmy Corrigan was quite possibly the best I’ve ever read. I have never encountered such a graphic work that blends story, thematic elements, palette and setting to tell such an engrossing tale. The book centers around an autobiographical protagonist of Ware (Jimmy). But the story follows far more than just this character as Ware weaves a rich backstory of both the history of Chicago and the Corrigan family within it.
A minor complaint I had (being an addled almost forty-year-old man) was that in some of the 19th century parts the cursive handwriting could be difficult to read even with my new glasses. But therein lies the draw, as small works very well for Ware through the panels, most of which use tiny lettering to paint a rich conversation among the expansive setting panels. There are also a few ludicrous craft pages that are hilarious and worth the effort to scour for detail. Overall the artwork makes this book a true masterpiece of its era.
The narrative deals with some heavy and important issues such as loneliness, depression, and racism in some quite profound ways. I would recommend it as one of the greatest examples of the form. I am looking forward to reading more of Ware’s work.
Next I am taking a final stop into a different type of non-fiction book (*gasp*) I haven’t read in years: the “how to write” category. This will also finally be my first Graywolf title, Ron Carlson Writes a Story. Thanks for joining me on this reading journey.
John Abraham is a published author and freelance journalist who lives in the Twin Cities with his wife Mary and their cats. He is writing a speculative dystopian novel and is seeking representation and a publisher.