I have tried to craft this #WritingLife essay twice. Once with the title ending “Covid” the other “George Floyd’s murder.” And then both events have merged together and represent so much more broken within our society. It’s almost quaint to think that a month ago the biggest concern with a lot of writers was “productivity.” The question of: am I creating enough during this down time? Should I be taking advantage of it more? As someone who has been laid off for a while now, I can say from a decent vantage point that none of that matters.
For some inspiration on this topic I conversed with Ed Simon, who has been running a phenomenal series on pandemic writing for The Millions.Here is part of what he had to say on the rise of “pandemic productivity:”
“Maybe they offer an alright corrective to people who feel anxiety about those things, but they sometimes do an over-correction, and are a disservice to people for whom that advice doesn't apply.“
“If I don't write, I get antsy, and I have to actively not write sometimes to recharge. I'm a recovering alcoholic, and not coincidentally my productivity shot up when I replaced getting black out drunk with actually writing. No clue if that's healthy, but it was certainly healthier, and in a very literal way I simply need to write. So the ‘You don't have to be productive’ stuff is probably good for people who DON'T have to be productive, but I kind of do.”
I thought this was a very interesting perspective and shows how a reliance on just putting words to page often backfires. You need to know what you are writing down in order to create something. I know there have been a lot of pieces on “productivity” and writing in the time of these earth-shattering events. But I’m here to tell you even if you read all of them you are not guaranteed to find the road to success cranking out your novel during this time. You may find more success doing nothing at all.
I am planning on delving into this more on the blog over the next year, but getting laid off (again) felt like an odd mirror to how this whole writing career of mine changed five years ago. And instead of thinking I must go back to wage-slave work and do another pointless job for five more years (this time with the added benefit of a pandemic), I have decided to use the little financial resources I have and (for real this time) do this as my career. I know it’s a stretch, a gamble, but it’s also the most freeing thing I could have done.
So be as productive as you want to during your quarantine. I could go on about how I’ve been re-writing my science fiction manuscript over and over in the hopes of this societal upheaval being my big break and whatever. I am more stunned to see my life from the perspective of never having to answer to anyone for my work. Ever again.
(I should add as opposed to last time when I kind of stepped aside from the journalistic side of things, in the wake of the MPD murder of George Floyd I don’t think that’s going to be an option. Those who know me might remember I used to cover City Council races and do investigations and stuff. For now it’s been more shouting on Twitter, but I may write some longer stuff at some point. The important thing is to make people aware.)
Writing in the time of...whatever it may be, don’t feel you must be productive. It’s far more important to understand what you want out of life, and then figure out how to get it. Write during all times, for all reasons. Thanks for reading.
Hello readers and welcome to another series on this here blog I’ve been struggling with for years: shorter pieces focusing on the writing life and its challenges, daily affairs, and all it entails. That was initially what this blog was going to be all about, but it sort of got hijacked by the reading list and my “how to write a book” project. The first essay is here if you missed it. And without further ado, here is the second installment in the Writing Life.
Embrace the failure. I know, it sounds counterintuitive and perhaps like every other piece of writing advice you’ve encountered on the internet and elsewhere. But there is perhaps no other more important part of the writing life than this one. Because it will be all consuming, and inescapable. Forget the general people out there who may be repelled by your work, or never even find out about it; there are yet to be legions of lit mags, online outlets, editors and publishers who all will reject your work for various reasons. This is a huge part of refining our skills. I suppose I should lead all this failure announcing that I am finally going to have a short story published this October, after a half-decade of writing them and not getting anywhere (more on where to find this particular story coming soon). This represents the culmination of getting an idea, drafting a basic concept story, showing it to a few people, getting some great feedback, rewriting and rewriting it, looking it over a few more dozen times, submitting it and receiving (at least) ten rejections, from lit mags in Minnesota and beyond, until finally it will be published by an outlet that has also published my editor, Libby Copa.
Speaking of Libby, a while back she pointed me to this essential LitHub article by Kim Liao about the importance of seeking 100 rejections per year. I know that I didn’t even get close to that with this story, and that feels pretty great but doesn’t make me underestimate the amount of work required to get even more published. If the dream is having some kind of story collection ready to go by the time my other manuscripts can get shopped, I will need to get hundreds of rejections piled over a dozen stories (at least). I have come to find the necessary rotation should be around five-six stories sent out to as many places as you can, while keeping track of them through a spreadsheet or document. And while it felt odd to have to withdraw the piece from other places I’d submitted it, I didn’t mind the reason.
This essay was also inspired by some thoughtful reviews of my books on GoodReads, which is another great resource for feedback (even if they point out errors I too have gone on about at length). And as much fun as it was to see someone created a profile just to give my first novel a one-star review, it is all a part of dealing with the fact that some people just won’t like your work. It seems hard to overcome that at first, but the more you embrace it, the more you will see how it doesn’t define you but is used to make your writing better. I have a lot more confidence now that an independent party has verified that I might know what I’m doing. This will in turn help me get my current manuscript in the best shape it can be, and eventually get it published as well. So learn to embrace the failure, for your own good.
Hello there readers and welcome as I finally get to another series on this here blog I’ve been struggling with for years. After working on the initial blog post (still entitled “What’s a writer for?”) for months and seeing no end in sight (but there are gonna be tons of links!) I have decided to try something different for this series. And that is, shorter pieces focusing on the writing life and its challenges, daily affairs, and all it entails. I mean, that was initially what this blog was going to be all about, but it sort of got hijacked by the reading list and my “how to write a book” project. So without further ado, here is the first installment in the Writing Life.
I’m writing a book about climate change. It’s not like I haven’t said this before, but I think it deserves its own post because it’s pretty much all I have worked on for a solid year. And the entire thing needs to be re-written, because the perspective is wrong. By next year I might have a solid draft to show people. But until then, I can talk about it. So, why climate change?
If you somehow haven’t heard about it by now, the IPCC reports essentially spell out what is rapidly becoming the challenge of my generation: climate crisis and how little time we have to do anything about it. While this issue has waffled over my lifetime as something Americans care about, and then don’t (remember #climategate? No, I’m not going to link to that), it seems that we have reached a relative tipping point with legislation like the Green New Deal reaching massive audiences and people my age realizing this is going to affect the rest of their lives.
It’s important, and if you have been following me online for any length of time you’ll know how much I scream into the void about it to little result. This is my attempt to rectify that in what I feel is my greatest capacity: writing. Specifically, a story about climate change, how it may be manipulated into use via geo-engineering and how that may lead to an utter division of the planet. And that just scratches the surface of this beast, which also tackles AI, religion, technology, cloning, environmental catastrophe, time travel (can you see why it is kind of a mess at this point?), and other stuff. Oh yeah, journalism too. Cuz that’s what I’ve devoted a lot of my time over the years, and informs a lot of this book.
And as my editor stated, this book pushes a lot of buttons. I come from a conservative religious background that ultimately didn’t take, and I want to examine it through my fiction. But I also want to examine a culture that allows the generational selling out we’ve witnessed via the climate crisis, and how it’s up to us to do something about it. Again, in the real world we have maybe a decade to reduce emissions to the point where human survival is a possibility. In my novel, that is not quite a foregone conclusion, and for the hell of it I will give away a major plot point in the hope it may interest you. I conclude that the only thing that may wake up the populace is the sudden loss of half the landmass of Florida. Again, sitting here reading this you may not believe it. But the science tells us enough ice is melting rapidly that something like that could happen, and in my lifetime.
Speaking of my editor, she was also right to point out that this is merely one way to get involved. Contact your representatives, create your own art about it, get involved in the protest movement that is growing by the day, and try to use as little fossil fuel as possible. I know it sounds hyperbolic but this is truly the challenge of our generation, and we need all hands on deck.
Thanks for indulging me as I shine a light on my manuscript, and I hope you’ll one day be able to read it as I publish it. Some other topics I have lined up for this series include: failure and why we should seek it out, how to learn to listen to others (i.e. editors), time management, and some other things. And of course I’m still working on that (initial) blog post about what writers are for, which takes on new meaning by the hour of teh #Drumpf tweet. On that note, thanks for reading and writing.
Hello readers and thank you for sticking with me as I jam the last bit of the 2018 Reading List into January before taking it in a little different direction. Last time I got through the Salinger collection Nine Stories, and while I am still planning on re-posting a short story to the blog I am wrapping up the collections in favor of novels for the next few months. But before I get into the 2019 Reading List I wanted to get to a type of work I had on deck for last year: the graphic novel.
Being a comic book fan for most of my life I have been familiar with the superhero genre in this area for years, but have yet to read much of the more “serious” fare that has gained national attention for decades. While I’ve caught up with a few over the past years (Maus and the first part of Persepolis for two examples) I have yet to actually write about one. So I chose an author and a work with which I thought I’d have some affinity: Craig Thompson and his 2003 mastework, Blankets. I want to try and do the usual thing here with respect to the lessons writers can get out of a work like this, but also want to say a little about the emotions evoked out of the story.
The use of illustration. This is one of those lessons that, especially in this medium, probably gets a response of, “well duh.” And while that’s kind of the entire point of the medium, Thompson is a genius of the form. There are full page spreads devoted to various images such as angels, regular humans, humans in trees, and multitudes of Biblical images flowed on pages seamlessly into the “actual” story. In between these are the regular frames, filled with gorgeously rendered dialogue and exquisite character interactions.
Use your pain. This ties in with the overall message of the book, which struck home with me in a few ways. Apparently Thompson wrote it as a way of telling his parents he was leaving his faith, which I have also had to do in various ways over my life; the way he tells the story resonated with me in ways few other pieces of art have. It didn’t hurt that he also grew up in a cold farmhouse, and with pressures coming from his family church and the places he would hang out, and youth group trips (similar to themes to those of my first novel, *cough* shameless plug *cough* Our Senior Year). This story is one of the best examples of using details of your life to make excellent work.
This piece worked for me on several levels, I guess mostly because of the personal turmoil I have gone through in the last year, but really in my whole life. I too have struggled with leaving the Christian faith and understanding myself to be atheistic, and both Thompson’s art and the way he described his journey made me consider my own in different ways. While there were some bits I wish he would have explored more (what happened to Raina?!) overall this was one of the best graphic novels I have ever read.
Well, that officially wraps up the 2018 Reading List! This series will continue in the new year, going back to novels written by females beginning with Ann Patchett's 2011 novel State of Wonder. I am also hoping to do a post on lessons learned this time around, similar to what I did at the beginning of the 2018 list, and pointing the way forward for this series. I am going to keep the type of works included as broad as possible, while changing up how I approach the posts at this juncture in my career. But more on all of that later. For now, I’d like to say thanks for coming along with me on this journey. When I started this as a series of experiments in 2016 I never could have imagined how important it would become to my career, and my life.
Thanks for reading, writing, and thinking about all of it. Here’s to a happy and healthy (and maybe better?) 2019.
Back in 2015 when I started this blog, I wrote a piece about vacations that comes to mind every now and again. I penned it about a month after getting laid off and moving to a new apartment, and was quite uncertain about the direction of my life. My point here isn’t to really mess with that post (it holds its own lessons from the first time I went camping), but to rather find out how much I have changed since then.
This week we got to spend the entire week at the resort near the Chippewa Flowage. My mother-in-law was kind enough to rent two cabins this year so my wife Mary and I got one pretty much all to ourselves. The view from this cabin was extraordinary, and I found myself doing little else than sitting around staring at the lake for parts of the day. While I enjoyed every minute of being out there this week, I did learn some more about myself as a human and as a writer that I thought I should detail here.
So without further ado, more lessons to be learned from the wilderness above and beyond my earlier post on vacations and how they matter.
I may be going out into the woods for the third year, but I still have no idea what I’m doing. This became apparent the longer we spent out here, as the woodsy mentality accumulated by my wife’s family continued to overshadow any initiative I may have eked out. Most of them were constantly surveilling the fire pit making sure it was always going, they all knew how to get a rod ready for a line, and I wouldn’t have known the first thing about setting up a tent like their cousins do every year. I also almost hurt my wife in a dumb stunt with a canoe that taught me to listen up and pay attention to the people who are out here and know what they are doing.
The woods are a great place to unplug, but you don’t have to all the time. I made a big point in the previous vacation post by saying how I turned off my phone the entire trip. While that worked back then, I decided to take a different tack this time around and not only leave the phone on (this was partially to keep in contact with the cat sitter each day) but to document some of the trip on Twitter. I also brought my laptop but managed to check my email once the whole time.
Previous inebriations don’t do the trick. I once had a pretty unhealthy addiction to both cigarettes and alcohol, and while I have conquered both, this trip is always a gateway to getting back into both things. After a week I have it pretty well decided: I don’t like drinking and never will, and same with the smokes. I may have thought I needed such substances to have a good time (that was certainly my mindset circa 2006, and even somewhat circa 2015) but today I know that I don’t.
I love my life. As mentioned, the previous post regarding this Wisconsin trip was written at a time in which my life felt very much in flux. Just got fired, new apartment, going out on vacation where I don’t know a thing (not everything has changed). This time I had a bit more of a revelation: we tried to plan out stuff to do all week but even though we had seven days of pretty much nothing to do, we still didn’t get it all done. This made me think differently about our own lives and how day-to-day we try to cram in as much as possible. We think this should be done in “real” life but in actuality, if most of us had all the free time a week could offer we still couldn’t prioritize it all. Part of the trick is to just enjoy it, and this trip has taught me all the more how to do just that: I love our apartment, my wife, our kitties, and my career. Getting away from it all is important, but so is understanding what “it all” really is. The next step now that I’m back in Minnesota and back to work, is continuing the work with a new perspective.
Vacations (still) matter. It’s all in how you use the time, and what you get out of it.
Hello and welcome to this installment of the 2018 Reading List. Last time I pondered the various meanings of White Noise. After the intensity of that novel, I decided to pivot toward some “lighter” fair, picking up an author who I hadn’t read in ages - Nick Hornby and his 1995 debut novel High Fidelity.
I’ve wanted to read this one since I saw Stephen Frears’ film of the same name years ago. I must say the book is many times better, and I found myself questioning why the movie took the story to America, because the humor does not translate as well. The story is about Rob, a middling, 35-year old record store owner in the UK who ultimately comes to realize his fear of death makes him jump in and out of relationships over the whims of a song, or a person’s reaction, or just because of his “itchy feet.” As I am turning that age this year, the book made me feel glad that my life has settled down and I have moved beyond the things that hold Rob back in the story. I want to take a look at some of the lessons writers can gain from a book like this.
Use of humor. This is arguably the novel’s strongest suit, and once again I felt this aspect didn’t make it into the film version (which is funny in its own, depressing Americanized way). Hornby deftly wields the voice of Rob, and interjects tons of statement that indicate the author himself sees this character as the pathetic shell of a man he is. There is a ton of self-deprecating humor that deals with the various situations, and I thought Hornby was quite spot-on regarding the man-child aspects of our modern age.
Switching up the narrative. This is something the film also tried capturing (to better effect IMO), the long monologues in which Rob is speaking to the reader/audience and pleading his case. At some points he even addresses the reader during a conversation with another character. Done right, this can be a very interesting way to tell a story from various angles/perspectives.
Overall while I did enjoy the work, I don’t think I will be revisiting Hornby for a while. Reading the travails of a thirty-something Brit who hasn’t gotten any part of his life figured out may have resonated with me back in my twenties, but as a married (for almost eight years) man it struck me as a gigantic excuse for men to act their boorish selves way past that era of their lives and to expect women to pick up the pieces. In the age of #MeToo, this message doesn’t resonate as it once may have. But, if you’re looking for an easy read, Hornby does the job, and you’ll have a few good laughs along the way.
Up next, I’m diving back into the female author recommendations, this time one who is very established by this point but I have never read: Joyce Carol Oates and her masterful 1996 novel We Were the Mulvaneys. Stay tuned for more updates as the Reading List progresses through the year!
Mary and I met at Target in 2008, a year after we had both moved to Minneapolis (she’s from the Iron Range and I’m from *ahem* Iowa). A year later, we began dating. I still remember one of the first times we hung out. I drank some fake Absinthe and ended up crying because I didn’t know what I was doing with my life. Oh yeah, in her bedroom. Still not quite sure why she didn’t just leave me high and dry back then.
I was a drunk. Thankfully I had the good sense to make the right decision. Haven’t had much taste for alcohol since.
For most of my life I didn’t know how to express or show emotion. Coming from a very cloistered, cultish and indoctrinating family I learned to substitute ritual and superficiality for actual feelings. This led to some early calamities. I almost broke up with her in New York City, for goodness sake. I was a moron, and wasn’t even aware of what I had.
Each time, I knew deep down inside that this woman was the one for me. I had to trust that instinct each time, and it always worked out for the best.
We moved in together in 2010, got married the next year. A small ceremony attended by a few members of each our families. Reception at Bunny’s in St. Louis Park.
Challenges since then. She has bipolar disorder. She chose to take her medication, feeling I was worth it. She helped me finally break free of the influence of my family. Helped me see my former job was making me miserable.
So many memories. The Law & Order weekend, and the food poisoning weekend. Going to dinner at that terrible Italian restaurant near 50th and France. Watching your reactions to certain movies, like in Ted when the bear starts getting ripped in half at the end. Seeing you struggle with that Kirby game, and with your addiction to cheese. And the heartbreak you’ve had in dealing with your (new) egg allergy. There are so many things with eggs in them! It’s not fair. You love our cats, Marble and Morrison with a passion I at first did not understand. That was until we had to say goodbye to Scout last year, and I realized I was really going to miss that feline.
Seeing you fully as a person who is special enough to contain such a wide range of emotional territory.
Mary’s birthday has been a challenge for me, as I’ve been pathetic at picking out gifts. Now I recognize it’s more in the spirit of what she means to me.
This marriage goes so far beyond that. She is the real gift.
She is an amazing, loving, caring woman who also happens to have a mental illness. I made the decision that the only way to handle it was to just love her unconditionally. No matter what.
Happy birthday, baby. I look forward to many years of happiness with you. I love you.
(Long time readers may consider this a companion piece to a previous note I wrote to Mary four years ago.)
My first novel was published by North Star Press nearly three years ago. 2014 seems like a long time ago: Obama was still POTUS, and nobody even considered the upcoming election much yet. I was preoccupied with a lot that year, including getting the book, Our Senior Year, finished and the cover ready to go for my events. For those of you who haven’t read it, the book is essentially a fictionalized account of my time at a small high school in Iowa. I named the town Clarmont, a pastiche combining another nearby town, and patched together a few of my best friends at the time as characters. I also split my personality in half and had them be best friends, a decision I’m not quite sure worked very well but was useful in telling the story from two different (albeit similar) perspectives.
I’d recently read Bram Stoker’s Dracula, one of the first “horror” novels (depending on your time frame) of the modern era, and one told entirely through epistolary forms of the time: monographs recorded for others to listen, letters, and diary entries. This got me considering a journal entry to tell one character’s side of the story. This journal is located by the other main character at the beginning of the tale, and he uses it to tell the story in what ends up being the actual book. There are some plot twists based on my experience at that town over four years, including an amalgamation of some car wrecks, and a suicide.
The friends were based on people I got to know quite well during my senior year there, as I had run with a different group of people aimlessly (and neurotically, though I wasn’t aware at the time) up to that point. I realized the people in my own grade were having an awesome time, and that it was time to start seeing what they were into. I have since come to understand our activities as pretty stupid, but no too much outside the norm for kids of any era. But all of this did not bode well with my parents, who raised me on a farm outside the town based on pretty strict religious structure. This is reflected in the character’s attending a youth group night at a local church.
This entire novel was really a reaction against my upbringing. Circa 2013, when I was finishing the last drafts, I was coming off an important conversation with my parents a year earlier regarding my breaking away from their Christian faith. I would end up telling them parts of what the story would entail, and tried to make sure they were aware that the parent characters are not really them. One is an alcoholic, and my father doesn’t touch the stuff, and my mother was not overbearing and mean like in the novel. Still, I had conceived the novel in my high school days as being against this type of strict upbringing.
Yet I couldn’t view this work through any other lens than a strictly religious conflict up until now. I’ve recently had some powerful emotional breakthroughs regarding all of it (the ignorance coupled with the extreme fundamentalism) and have come to some much better ground surrounding it. I’m not so angry any longer, and it feels better. I thought it would be as good a time as any to revisit what was driving this first novel.
A lot of it was driven by anger, and fear. Since our initial discussion I had since come to see how I was raised through a mostly negative light, and struggled to distance myself from it through this novel. There is a discussion in the book dealing with a documentary I watched in real life produced by PBS describing a lot of the fallacies in where the Bible comes from. After, the father and son discuss why they don’t believe in this stuff anymore, but must for the sake of their mother. This was one of my first clumsy attempts at inserting commentary I’d arrived at much later into a fictional time zone where part of me existed. I was also at the time afraid my parents would know more about what I thought. I thought this passage in the novel would be enough to cover some of this. It never was.
But that’s another great revelation to hit as a writer: I’m not who I thought I was. That’s right, I can evolve, both through life and in my work. My marriage has taught me a lot about the life part, now it’s time to tackle the writing bit.
The person who finally finished that book in 2013-14 is not the person sitting here writing this today. I have a new, and different outlook on religion and all of its various manifestations through society. And instead of forgetting about it, like it’s not a part of me, I have come to the conclusion that I can only incorporate it into my writing. I have seen so much of it used in the wrong way, in ways that will affect me for the rest of my life. But instead of the anger, I have to approach it with the opposite. Compassion, understanding, but also ruthless interrogation. What causes humans to believe such things? Where does it come from, and where is it going?
I have no idea, and things are only getting more confused with the technological revolution of recent years. AI appears to be the closest thing we might get to a “god” on this planet, so what does that mean for religion? These are all things I didn’t realize I wanted to write about until they wouldn’t go away and kept turning into a huge idea. Therefore, I am going to begin drafting a new book, involving ideas about the future, climate change, technology, and seeing where it leads. I’m also going to continue re-writing Observe and Detach so it’s ready for an agent, but I can’t suppress this any longer. It’s time to start harnessing the tide of creative growth that comes from a healthy examination of one’s path.
That’s my main point for you aspiring writers out there. Look at where you come from, gaze at what you wrote, but don’t let it define you. You are never who you thought you were. I wish there was some other better way to figure this out besides time travel or something. But as I near the midpoint of my thirties, I’ve come to understand that if you can learn from your mistakes, and where you come from, you’ll go a long way toward finding out where you’re going.
(Also when I first started thinking about this essay, I couldn’t help get this infamous YouTube video out of my head. Denny Green was a perennial character in my parent's’ living room as head coach of the Minnesota Vikings a million years ago…)
I want to write today about an important facet of the writer’s life: being alone with your thoughts enough to compose something on the page. While some of you out there may be lucky enough to write by yourself or in a separate room, odds are most people have to deal with this situation simply by dint of having a relationship with another human being.
My wife and I lived in a very cramped apartment for the first five years of our marriage. This led to numerous issues regarding space, and while a lot of it got rectified when we moved a bigger place last year, we still could not avoid the fact that we are occupying much of the same area together, almost all of the time. How can we as writers learn to deal with such a situation? How can we with partners in our lives learn to be alone, together?
First I’d like to address the simple matter of how to write even when there is somebody in the same area doing something completely different like watching television. Headphones can be invaluable to cut off the noise, and to place you in the right mindset for writing. For me that’s a heavy dose of classical and/or ambient music. But more to the point, we as writers need to find the proper mindset for working on our craft even in a fairly cramped environment. My wife has her own concept of “alone time,” which she needs just as much as me. Even in a one-bedroom apartment we find our ways of separating, whether that’s moving to the bedroom to read or putting on my headphones and jamming out on a story. While we do have to occupy the same space, we manage to live in our own worlds at certain times. I think this is an important concept for anyone who lives in close quarters with another human being: make sure they too have the space they need from you, when they need it. This can be tough to understand and acknowledge, but believe me, if you can find an arrangement that works out for the both of you, it will do wonders for the entire relationship.
But I want to go deeper than that. What does it truly mean to be alone, together? We as writers are basically unable to do our jobs unless we can be solitary and cultivate our thoughts. How is this possible in our world full of distraction and people? Those who work with me have probably come to know me by turns inherently taciturn and, as I’ve been described by too many people to count, “quiet.” This was especially apparent in my previous job, in which personal connections broke down and I became utterly consumed with keeping to myself. While this led to some humorous anecdotes in my current manuscript concerning neurotic behaviour in the white-collar workplace, it did not lead to me connecting very well with my co-workers. I find myself currently employed in a bookstore, surrounded by some of my favorite works but also by people who do a lot more thinking before they speak (not a huge concern of the office-dweller, in general terms). And yet even here I find myself not speaking much more, often because I have a lot of ponderous thoughts about my books going on in my brain. While part of me keeps trying to make myself interact more with my fellow booksellers, many of whom are very deep people with interesting stories to tell, I must remind myself that the work is residing up there in my cranium, and to make sure I allow myself the time needed to grapple with it. Those of us who deign to use the written word to tell a story need not be so afraid of living a withdrawn life. I cannot stress enough how important it is to retain the singular lifestyle required of the writer in various circumstances. I am lucky enough to have a job in which that isn’t too difficult, but I would highly recommend this to any aspiring writer: find ways to keep within yourself and your thoughts as much as you can.
That’s not to say you should be inwardly focused all the time, but you will never reach your full potential as a writer unless you can be alone with your thoughts. Whether that’s being home alone, together with your significant other or alone among others in your workplace, it’s imperative to cultivate that mindset as often as you can stand it. On this I can only offer my considerations as I ponder the direction of my writing career. While the first draft of my third novel resides on my hard drive, I have for the past few years been chewing over the direction of my fourth one, and how it can reflect reality. This began as the seed of an idea as I was waiting for the bus some afternoons after the office job, and continued into a bigger notion the more I was able to contemplate it, either when others were present or own my own. The important thing to note here is that I would not have been able to get this far without being able to honestly and deeply appraise my own thoughts. Make sure you are giving yourself the same amount of space.
This ties in with what I hope will be my final essay on the writing process this year, which is a doozy: What exactly is a writer for? That is, what are we as purveyors of the written word attempting to do with our careers? I’ll be the first to admit I have expressed utter cluelessness on this score for a long time, but as this year has progressed I have come as close to an answer to that question as I’ve gotten yet. I hope to get that essay out of my brain before this horrendous year has passed.
And of course, stay tuned to this space for the final few updates in my year-long experiment in reading fiction, the incredible results of which have guaranteed its continuation into the next year (more on that next month).
Thanks for reading, and as always feel free to add your own reactions to these ideas in the comments. Happy holidays, everyone!
It’s been almost a year since I lost my previous office job, spent a month in the wilderness of unemployment, and found a much better position working at a used book store. In that time I have come to know some important lessons about life and writing that I’d like to share. I did something similar at the end of last year, but this list is a more thorough compilation. In the interest of keeping the list manageable, I’ve attempted to keep it as pithy as possible. And if any of you out there have your own lessons to add, feel free to do so in the comments. Thanks for reading!
John Abraham is a published author and freelance journalist who lives in the Twin Cities with his wife Mary and their cats. He is writing a speculative dystopian novel and is seeking representation and a publisher.