The Left Hand of Darkness
Hello readers and welcome to the long-delayed first entry in the 2020 Reading List. I know there is a lot going on in the world but I hope that means we are all taking stock of what is important in life. For me that is a close read of a phenomenal novel. And I had that in my first title for the year: Ursula Le Guin’s landmark 1969 science fiction work The Left Hand of Darkness. This was without a doubt the greatest sci fi book I have ever read. Better than Gibson or Heinlein, and maybe even Vonnegut, who was just hitting his stride around the same time. There are many reasons for this so let’s start from the top.
First, the entire novel was a master class in how to say a lot with very little prose. There are so many layers to this work: the world itself, its inhabitants and its societal structure, but far beyond this are the androgynous aspects to the people of Gethen and those of its various regions. We are brought into the story by an anthropological envoy named Genly Ai whose sole mission is to bring this world (Gethen, or Winter to the envoy) into the Ekumen, or collection of planets. He visits both regions and is treated poorly by both. Throughout there are deft allusions to the geo-political situation on our planet at the time, but Le Guin is so masterful with her prose you have to ponder how those are drawn out. There is no simple statement within saying one nation is better than the other, but there are quite a few nods toward the notion that an androgynous society is much less susceptible to the quarrels and demons of our world, the chief being warfare. War is shown as something that has to be manipulated into, and there are very interesting passages where Genly is considering how their society is different from his own.
Second, this novel is also a master class of how to world build by breaking all the rules. I’ve gone over this on the blog before, but most “rules” for writers are nonsense for those who have the talent to break them. Many of us, myself included, might think to put the details of the world in the first part of the book. Instead Le Guin dumps a bunch of terms and mannerisms on us from the outset (not to mention changes in perspective that aren’t always recognizable) and starts a slow download of what they mean as we progress through the work itself. We don’t find out the origin of a major term (“shifgrethor”) until almost the end of the novel, but the word itself is shown so freaking well through the story that it does not matter. That’s how skillful the prose is here. The entire last portion where the two major characters are traversing the ice back to the start, was one of the most gripping and stunning passages of prose I have ever encountered.
I must thank you readers for sticking with me as I took almost two months to devour this novel, and it was worth every chapter. As I stated I may not be getting to as many titles per year as before but I am going to analyze the heck out of each novel as I get through them. To that end, the next title in this continuing march through science fiction territory will be an author I have avoided until now: Dave Eggers and his dystopian 2013 novel The Circle. And I’m getting scary close to finishing both Orange is the New Black the Netflix series and the memoir, so stay tuned for a post on that next month.
And of course in these scary times it’s important to truly reflect on what matters in life. I hope as we are all self-quarantined and distancing ourselves we all are noticing the beauty of life that does exist, and the wonderful connection we all share. As great books like this show us, this is pervasive despite the many attempts at division. Stay safe and healthy out there and thanks for reading.
John Abraham is a published author and freelance journalist who lives in the Twin Cities with his wife Mary and their cat. He is writing a speculative dystopian novel and is seeking representation and a publisher.