Hello readers and welcome to another series on this here blog I’ve been struggling with for years: shorter pieces focusing on the writing life and its challenges, daily affairs, and all it entails. That was initially what this blog was going to be all about, but it sort of got hijacked by the reading list and my “how to write a book” project. The first essay is here if you missed it. And without further ado, here is the second installment in the Writing Life.
Embrace the failure. I know, it sounds counterintuitive and perhaps like every other piece of writing advice you’ve encountered on the internet and elsewhere. But there is perhaps no other more important part of the writing life than this one. Because it will be all consuming, and inescapable. Forget the general people out there who may be repelled by your work, or never even find out about it; there are yet to be legions of lit mags, online outlets, editors and publishers who all will reject your work for various reasons. This is a huge part of refining our skills. I suppose I should lead all this failure announcing that I am finally going to have a short story published this October, after a half-decade of writing them and not getting anywhere (more on where to find this particular story coming soon). This represents the culmination of getting an idea, drafting a basic concept story, showing it to a few people, getting some great feedback, rewriting and rewriting it, looking it over a few more dozen times, submitting it and receiving (at least) ten rejections, from lit mags in Minnesota and beyond, until finally it will be published by an outlet that has also published my editor, Libby Copa.
Speaking of Libby, a while back she pointed me to this essential LitHub article by Kim Liao about the importance of seeking 100 rejections per year. I know that I didn’t even get close to that with this story, and that feels pretty great but doesn’t make me underestimate the amount of work required to get even more published. If the dream is having some kind of story collection ready to go by the time my other manuscripts can get shopped, I will need to get hundreds of rejections piled over a dozen stories (at least). I have come to find the necessary rotation should be around five-six stories sent out to as many places as you can, while keeping track of them through a spreadsheet or document. And while it felt odd to have to withdraw the piece from other places I’d submitted it, I didn’t mind the reason.
This essay was also inspired by some thoughtful reviews of my books on GoodReads, which is another great resource for feedback (even if they point out errors I too have gone on about at length). And as much fun as it was to see someone created a profile just to give my first novel a one-star review, it is all a part of dealing with the fact that some people just won’t like your work. It seems hard to overcome that at first, but the more you embrace it, the more you will see how it doesn’t define you but is used to make your writing better. I have a lot more confidence now that an independent party has verified that I might know what I’m doing. This will in turn help me get my current manuscript in the best shape it can be, and eventually get it published as well. So learn to embrace the failure, for your own good.
Hello there readers and welcome as I finally get to another series on this here blog I’ve been struggling with for years. After working on the initial blog post (still entitled “What’s a writer for?”) for months and seeing no end in sight (but there are gonna be tons of links!) I have decided to try something different for this series. And that is, shorter pieces focusing on the writing life and its challenges, daily affairs, and all it entails. I mean, that was initially what this blog was going to be all about, but it sort of got hijacked by the reading list and my “how to write a book” project. So without further ado, here is the first installment in the Writing Life.
I’m writing a book about climate change. It’s not like I haven’t said this before, but I think it deserves its own post because it’s pretty much all I have worked on for a solid year. And the entire thing needs to be re-written, because the perspective is wrong. By next year I might have a solid draft to show people. But until then, I can talk about it. So, why climate change?
If you somehow haven’t heard about it by now, the IPCC reports essentially spell out what is rapidly becoming the challenge of my generation: climate crisis and how little time we have to do anything about it. While this issue has waffled over my lifetime as something Americans care about, and then don’t (remember #climategate? No, I’m not going to link to that), it seems that we have reached a relative tipping point with legislation like the Green New Deal reaching massive audiences and people my age realizing this is going to affect the rest of their lives.
It’s important, and if you have been following me online for any length of time you’ll know how much I scream into the void about it to little result. This is my attempt to rectify that in what I feel is my greatest capacity: writing. Specifically, a story about climate change, how it may be manipulated into use via geo-engineering and how that may lead to an utter division of the planet. And that just scratches the surface of this beast, which also tackles AI, religion, technology, cloning, environmental catastrophe, time travel (can you see why it is kind of a mess at this point?), and other stuff. Oh yeah, journalism too. Cuz that’s what I’ve devoted a lot of my time over the years, and informs a lot of this book.
And as my editor stated, this book pushes a lot of buttons. I come from a conservative religious background that ultimately didn’t take, and I want to examine it through my fiction. But I also want to examine a culture that allows the generational selling out we’ve witnessed via the climate crisis, and how it’s up to us to do something about it. Again, in the real world we have maybe a decade to reduce emissions to the point where human survival is a possibility. In my novel, that is not quite a foregone conclusion, and for the hell of it I will give away a major plot point in the hope it may interest you. I conclude that the only thing that may wake up the populace is the sudden loss of half the landmass of Florida. Again, sitting here reading this you may not believe it. But the science tells us enough ice is melting rapidly that something like that could happen, and in my lifetime.
Speaking of my editor, she was also right to point out that this is merely one way to get involved. Contact your representatives, create your own art about it, get involved in the protest movement that is growing by the day, and try to use as little fossil fuel as possible. I know it sounds hyperbolic but this is truly the challenge of our generation, and we need all hands on deck.
Thanks for indulging me as I shine a light on my manuscript, and I hope you’ll one day be able to read it as I publish it. Some other topics I have lined up for this series include: failure and why we should seek it out, how to learn to listen to others (i.e. editors), time management, and some other things. And of course I’m still working on that (initial) blog post about what writers are for, which takes on new meaning by the hour of teh #Drumpf tweet. On that note, thanks for reading and writing.
John Abraham is an author and freelance journalist located in the Twin Cities, where he lives with his wife Mary and their two cats. This blog is his attempt to catalog all the events that culminate a local writer's life.