Hello readers and thank you for bearing with me as we march through this last part of the 2018 Reading List! After getting through a few pairs of books I made my annual “pivot” to short stories, taking on a writer highly admired by Francine Prose, whose book Reading Like a Writer I read two years back. She turned me onto the work of this 19th century Russian but I had no idea of Anton Chekhov’s true legacy until I read his stories. They are are that good. Normally I head into the major lessons to be learned from such a phenomenal writer (and I will) but the best lesson for me was: read Chekhov. You will be hard pressed to find a better short story author at any caliber, at any time period. So now let’s take a quick look at two major factors of why that is:
Use of setting. This is not arguably Chekhov’s strongest suite, but the playwright in him shines through in the introduction of many of these stories (I had Norton Critical Edition collecting his best known). Nature is described quite beautifully and flowing, but is only allowed a few sentences at the beginning of sections. This was all Chekhov considered was necessary in telling a story about human drama. The characters are also set in the stage in this literary way, placed either in favor or against each other, just as the master wants them.
Use of character. This is what critics have spent their entire lives trying to figure out, and I’m hardly going to say it’s the use of one specific description or story that really shows it. It’s in all of them; that’s how amazing every story he wrote was. But for just a few examples - in “Misery” the poor carriage driver is reduced to explaining his daughter’s death to his horse because no one else cares; in “The Teacher of Literature” a man starts out in what he think is a great life only to end up miserable; and in “The Lady with the Dog” two people wind up in love at the worst possible time. These are but three examples of the incomparable control Chekhov exercised over these character’s lives in order to present life just as it is, not as we would like it.
I also tremendously enjoyed “The Bishop,” “The Betrothed,” “Anna on the Neck,” “Sleepy,” the list goes on. I am at a loss to go any further than my first piece of advice regarding this author: read him. He wrote several hundred stories in his lifetime, so it’s possible you may encounter an entirely different collection than I did, and have your own experience. I also must add that in Reading Like a Writer, Prose recommends checking out Chekhov’s letters. In the edition I had there were quite a few excerpts he wrote to his contemporaries about writing that I found enormously interesting and helpful. Which goes back to my major point - if you are studying someone to see how they did what they did, take it all in, not just the stories but the process and how they accomplished it, and their own thoughts about it (if they offered them). Not all authors were good enough to leave such a trove when they passed. I also was lucky enough to read a few literary essays contained in this edition, which helped my understanding of the author and his stories.
So what’s left to close out the year? Readers who have been with me for a while probably recognize that I usually get in a few more novels after “short story” time. Well I have realized that short stories are not something I am going to have the convenience of shoving into a certain part of the year, so they are now going to be worked on all year round. This means more short story collections added to the yearly Reading List, so send me your recommendations. This year, I hope to get through another few collections and get an essay done about them by the end of the year - Rock Springs by Richard Ford (recommended by my editor, Libby) and Nine Stories by JD Salinger. I have also sent a short story to my “other” editor and hope to get a post about that process up here in the coming weeks.
To all my readers: thanks for sticking around while I spent close to two months poring over this legendary author. I still plan on mixing up the Reading List as I did somewhat this year, including adding more stage plays and graphic novels. And as always, thanks for reading and writing!
John Abraham is a published author and freelance journalist who lives in the Twin Cities with his wife Mary and their cat. He is writing a speculative dystopian novel and is seeking representation and a publisher.