Stranger in a Strange Land

Hello readers and welcome to this installment of the (revamped) 2019 Reading List. Previously I finished up a run of contemporary female authors with a local, academic read. Now as I complete the first round of re-writes on my science fiction manuscript I decided to pivot to that genre in the Reading List, starting with Robert Heinlein’s masterwork, the 1961 novel Stranger in a Strange Land. Or rather I decided to read what was released in 1991 as the “original, uncut version.” (Although Heinlein may have actually preferred the initial version.)

This novel is considered a masterpiece of the form, and while I don’t totally disagree I must say I had my ups and downs with both the narrative and what Heinlein was trying to say with the story. As readers know by now, these entries are not so much rundowns of the plots of these books, and I wouldn’t want to do that with this book anyway. If you are truly interested in the genre this one is without a doubt worth reading, but I don’t think I would place it as high as Vonnegut or Gibson. The novel was indeed vastly ahead of its time, and was visionary in how to use fiction to deconstruct such societal woes as religion and worries about “the other” (in this case an “other” from the planet Mars, yet human like us). It was also quite revolutionary in its approach to sexual relationships, which scandalized people at the time and led to the novel being banned from schools. Not much of it seems that way in 2019; despite the novel supposedly taking place around our time period there were more than a few lines (including a victim-blaming one concerning rape uttered by a female character and some pretty outdated views on homosexuality) that I would have preferred cut.

I thought the novel’s strongest parts were in fact the religious bits, and Heinlein’s deft use of prose to examine what was just becoming a major element of society in his day to be very interesting. He was essentially describing today’s megachurches, and I was blown away to read passages of gambling halls and strip joints being turned into religious domains, pondering how he was simply drawing conclusions of what was to come. The entire novel is also a great example of how to build up enough of a world that it is a believable place for the characters to interact through the story. On the whole, I did enjoy this over-five-hundred page novel, and it was a good if not overly satisfactory (re-)introduction to the genre, and I do hope to revisit Heinlein again in the future.

Toward the end of this year I plan on getting to Omar El Akkad, Dave Eggers and Ursula Le Guin, as well as possibly some Burroughs and Asmiov. But up next, in the middle of all of this I am going to take a break from my manuscript and work on some (science fiction-y) short stories that I hope to submit in the wake of “Live a Mile” finding publication. To that end I’m going to dive into a relatively new entry in Houghton Mifflin’s long-running Best American Series: the Best American Science Fiction and Fantasy 2017 (ok so I’m a little behind the times, sue me). And I will be back with an update on that published story when it hits the streets in October. Thanks as always for reading and writing!