The Fire Next Time / Giovanni's Room

Hello readers and welcome to the second half of the 2018 Reading List. To wrap up the first half I took on another female author and read Wise Blood. For the latter half of the year I’m going to switch up the formula but still continue to get as many books read in this year as I can. To that end, I’m going to put some titles together and see how they combine to show deeper writing lessons. As I said last time, it felt right to read James Baldwin now, so I this month I took on his 1963 classic The Fire Next Time and his 1957 novel Giovanni’s Room. Both were stunning in their own ways, so I want to get to the major lessons writers can learn from this landmark American author.

Using the novel/essay to speak about society. This is the entire point of The Fire Next Time, and I must say even in 2018 I don’t think I have come across as searing a dissection of religion and the ways it is used to manipulate people. The poignancy here comes from Baldwin’s refusal to make this a color issue, as he denounces both whites’ use of Christianity to cover up their racist minds, and blacks’ relatively more recent use of Islam to further a similar goal. As he discusses at length, both religions were used to preach an idea of a separation of the races, which Baldwin denounces in very stark terms as the opposite of what is needed in this nation. As we can see even today, this vision proved incredibly prophetic. This lesson can also be found in Giovanni’s Room, especially involving the way homosexuality was viewed in the West around this time (the main character describes it as against the law, which in many states it was at the time).

Use of imagery. This was possibly the highlight of Giovanni’s Room, as Baldwin uses basic language to describe the world of Paris (made up of stones that reflect light during the summer and repel it during the winter) and the people he meets (Giovanni and his “boyish” legs, his “leonine” figure, Jacques in his presence appears “very frail and old”), painting a world of intrigue the main character David is attempting to navigate. Though the story reflects Baldwin’s own of escaping cloistered America, David soon learns to resent most of Europe and its inhabitants as a scandal grows from his time in Paris.

Using the novel to reflect your own life. This is a lesson I continue to learn in new and different ways, and without a doubt Giovanni’s Room is a huge example of this. It is well known this book is a parallel to Baldwin’s own time spent in Europe, but he digs even deeper to dissect his relationship with Giovanni, in whose room they both stay for a period, and his own internal shameful thoughts and what they are doing. This becomes even more enhanced when David’s fiancee Hella arrives and he attempts to lead a double life, which leads to Giovanni’s ruin and eventual killing of another character. The end chapters of the novel become incredibly moving and deep as David puzzles through what he should do and while the ending is quite tragic, it contains much to understand about life in the world at this time.

I would highly recommend this author to anyone who seeks a better understanding of race and gender relations during the Cold War, and there were few more powerful American voices on this than Baldwin’s. I definitely will return to this author to gain more insight into these topics.

Up next, as promised I’m shifting the Reading List into a different territory, but one I’ve become more interested in over the years: drama. To that end I will be reading a pair of the greatest stage plays even written, Arthur Miller’s Death of a Salesman and Thornton Wilder’s Our Town, as well as possibly another “sort-of” drama if I have time. And stay tuned for an essay concerning what writers are for (especially now), as I have approached the ten-year mark of doing it in one form or another. Thanks as always for reading.