J ABRAHAM
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Bird by Bird

2/10/2017

2 Comments

 
Hello once again readers and welcome as I wrap up the final title from My Year of Living (Actually Reading) Fiction. As with Reading Like a Writer, I wanted to bookend last year’s list with another tome on writing. I decided on Anne Lamott’s Bird by Bird, which had been recommended to me by a few people. The book itself was decent, but had some glaring issues I couldn’t overlook. Lamott is much less funny on the page than she seems to think she is, and I found myself stunned that her editor didn’t try to correct this irregularity. Despite this there were a few portions that did make me laugh, and there are many excellent ideas through the entire book. I want to turn to some of the main lessons I took away from this work:

  1. Writing exercises. Lamott stresses the idea of leaving yourself short assignments, which could be as simple as writing down what you see around you or trying to recall as much as you can from childhood events. Another way to look at life from a writer’s perspective is to see it through a one-inch postcard, which forces you to keep only the details that are relevant to that small space. Lamott also relishes the idea of a Polaroid picture, in which the writing gives way to a completely original idea or notion you may not have seen initially, but after enough composing comes through as clear as day. I found that analogy to be particularly inspiring, and hope to be able to set up my own short assignments this year.
  2. Shitty first drafts. Lamott uses this crude phrase quite well, the overall point being that everything you write will indeed begin as a piece of crap. We as writers shouldn’t fear this happening because nobody is ever going to read it. We need to get over the fact that most of our beginning work is going to be pretty worthless; it is through such work that we can get to what we mean to actually say. I found this section particularly inspiring as I continue to struggle with the first draft of my current manuscript.
  3. Index cards. This is another idea that, while I struggle to see much of its use in the age of the Internet, is still worth trying. Lamott says she writes down basic, everyday experiences or conversations on index cards and scatters them everywhere. The notion is that we never really know what in our lives may be useful to our writing, and while a lot of it ends up going nowhere, we may yet find the nugget of a story in there someplace.
  4. Writing groups/having someone read your work. This was a major takeaway for me, and I hope to be able to locate some other writers to form a group at some point in the future. Lamott claims it’s a great way to get to know people and to create a safe zone for work to be exhibited. More granularly, finding just one separate person to read and consider your work can be invaluable for a writer. I have been lucky enough to encounter a few of these kinds of people over the years, and many of their insights were important and helpful.

While there are many excellent pieces of advice throughout this work, I am not going to give it my full recommendation to other writers out there. Lamott really could have used a stronger editor as the book weaves in and out of her rambling considerations of her own talent, her internal feelings, and how nerve-wracking the writer’s life can become. While I don’t doubt many of us have experienced these things, it’s equally if not important to find ways to break through the self-doubt. All of this being said, there is a reason why this book has been a massive bestseller for years and is routinely included among lists of “books on writing.” There is absolutely a lot to gain from reading it, so I certainly would say take a look if you enjoy her previous writing (and I must confess this is the first book of hers I’ve ever read).

This wraps up my first year experiment in reading nothing but fiction (and two books on process). Up next, I begin my foray into Another Year of Fiction. I have decided my first book will be Jim Thompson’s 1952 novel The Killer Inside Me. Stay tuned for an essay on that book in the coming weeks, and as always thanks for reading!
2 Comments
Audrey
2/12/2017 03:42:33 am

This was a very interesting review and even just these notes have helped me think through a couple of writings I have in the oven right now. They aren't fiction, but outlines and pages need to happen and sometimes getting the ideas out in whatever form the come out is the only thing you can do (instead of trying to organize over and over in your head).
Her style is pretty hit or miss for people. I kind of like the relaxed tone and back-porch feeling vibe, but can see why it got on your nerves.

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Anne link
2/12/2017 08:02:05 am

Interesting take on this book! I've heard that this book tends to be more polarizing, in that either you love it or feel just "meh" about it. It'll probably drop a little lower on my own list of books about writing/editing I want to read.

It's good to see a couple points I've been promoting for a while: crappy first drafts and writing groups. Love the writing exercises you've talked about here, and I may have to give them a try.

As always, great to read your thoughts on the book, and I'm interested to see what this next year of reading fiction has in store for you.

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    John Abraham is a published author and freelance journalist who lives in the Twin Cities with his wife Mary and their cat. He is writing a speculative dystopian novel and is seeking representation and a publisher.

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