Snow Falling on Cedars
Hello readers and welcome to another installment of the 2018 Reading List! Last time I took a first look at Joyce Carol Oates, this time I’m catching up with a recommendation my editor gave me around the time I started this as an experiment. That would be David Guterson’s stunning 1994 novel Snow Falling on Cedars. This tale of love, loss, and small-island prejudice was the first novel for Guterson and according to Wikipedia took him ten years to write. This shows immensely through the writing, and I want to take a close look at what I considered the two major lessons of this book.
Use of framing. Guterson uses the courtroom on the island where the story is set to launch into the personal narratives of all the characters. When the plot focuses on the murder trial of a Japanese-American man (accused of killing a white fisherman), it stays with the lawyers as they aggressively cross-examine witnesses, asking multiple versions of the same question. Guterson captures this very well and uses it to ensure we get a good understanding of the facts. But it’s when he uses the witnesses to delve back in time that the writing really shines, as we get to experience the story from their perspectives. This is a master class in framing one part of a story in order to tell another, deeper one.
Use of identity. In a novel that wades through many dark themes (racism, war, murder) it is the concept of “identity” that ties everything together. Two of the main characters fall in love but cannot be together due to the perceived difference in their ethnicities, and there is much discussion and consideration over identity. Years later, this causes an unfortunate ethical dilemma for one of them, and Guterson writes this so well I wasn’t sure up until the very end what the newspaperman would actually do. This notion is also apparent more broadly in how the islanders see the Japanese-American citizens among them, before and after they are detained in internment camps.
I felt this was an important book to read right now, in light of the obscene nationalism that has gripped our body politic. It is important to remember similar rhetoric to that which we are hearing today led in the past to mass incarceration of persons based upon their race. It was wrong then, and remains abhorrent today. Guterson does an amazing job showing how the torment of war and death divide a small community struggling to adjust with a world war, and how the most base prejudice could lead to an innocent man being put to death. I would definitely recommend this novel to anyone looking to understand either the past or present moments. It’s a masterpiece in terms of construction.
Up next, I’m going back again to the recommendations from my co-worker of modern literary women and hit an author I’ve been wanting to get to for years: Flannery O'Connor and her novel Wise Blood. I also hope to get some kind of post done on the editing process, and another more reflective one by end of summer on writing itself.
Thanks as always for reading and writing, and happy summer!
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John Abraham is a published author and freelance journalist who lives in the Twin Cities with his wife Mary and their cat. He is writing a speculative dystopian novel and is seeking representation and a publisher.