J ABRAHAM
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The Handmaid's Tale

1/12/2018

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Hello readers and welcome to the first entry in the Reading List. (This is basically the same as Another Year of Fiction but I’m just not making it a “formal” experiment any longer.)

It was pointed out to me last year that the ratio of male to female authors was a bit out of whack, so I decided to correct that in 2018 with a bevy of women writers. The first selection was Margaret Atwood’s brilliant and prescient 1985 novel The Handmaid’s Tale. I won’t delve into the plot much as the recent Hulu series seems to have renewed interest in this story and really, one cannot understand this book without reading it. The themes are so deep and universal (and scary) that each reader will draw his or her own parallels to our society as it’s gone in the decades since this book was published. I did draw some great lessons for writers, however, and will get to that now:

Use of an unreliable narrator - The entire book (with the exception of the “historical notes” section at the end) is from the point of view of Offred, the handmaid assigned to Commander Fred’s home. While she did have some experience with the dystopian overthrow of the US government, much of what she sees of the current regime is necessarily limited to her own perspective. Atwood masterfully spins multiple stories of past and present into a single narrative that shows how this society came to be and describes Offred’s previous life in stunning detail. While at times I would have liked a bit more information about the regime, there is plenty within this book to give the reader a compelling look at this futuristic world that could be around the corner.

Using the novel to speak about society - This is obviously the major strength of this work, and holds it up against other dystopian tales of the 20th century. Just off the top of my head, Atwood levels a blasting critique of: organized religion, totalitarian societies and how they can begin literally anywhere, feminism (the deeper levels of which I am not well versed enough to fully describe here), sterility due to biological factors, patriarchy, and many others. Atwood has described this novel as more in the vein of “speculative fiction” and it is quite apparent she was viewing the disturbing trend lines of the Eighties (the Reagan revolution, the abortion issue, the feminist backlash, televangelism) and how they could take our nation to such a place. Obviously in the age of *ugh* President Trump, all of these issues have taken on greater significance, inspiring the streaming series last year (which I hope to view soon).

Overall I would strongly recommend this novel to any writer who wants to see one of the best examples of an author taking a deep look into her society and seeing where it was headed. There are too many themes to fully explore here, and again I think this is a book that everyone needs to read and understand on their own terms. I know for sure as a man my empathy toward what women have to deal with has been deeply moved, and perhaps I am a bit more dug out of the ignorance of my earlier days.

Up next for the Reading List, a book recommended to me by a coworker: Donna Tartt’s landmark 1992 novel The Secret History. As always, thanks for reading.
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    John Abraham is a published author and freelance journalist who lives in the Twin Cities with his wife Mary and their cat. He is writing a speculative dystopian novel and is seeking representation and a publisher.

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